Monday, September 21, 2020

G-23: Message in a bottle

By Ranjit Monga 

The Congress party is indeed at a crossroads with a considerably reduced representation in parliament since the past two Lok Sabha elections. But in my view, it is more because of most of its leaders refuse to come to terms with the changed reality since the late 90s. That was the time when, having been out of power for some time, they were rudderless. Then Sonia Gandhi joined the party as its president and the party's resurrection began. 

It is one great lesson they seem to have forgotten, the ability of the Gandhi name to draw voters and their connect with the people of India. After the NDA’s term lead by Atal Behari Vajpayee, the Congress held power for a decade. From the turn of the century the world has now moved on to end of the second decade of the 21st Century. The generation which grew up without cell phones or were using the early models of Nokia phones of the late 90s, is now well into middle age.  Today’s young generation thrives on social media which they access on sophisticated cell-phones. This has necessitated changes in governance and politics. Ease of outreach available to government departments as well as politicians is  the single most important change in the new reality, which perhaps many in the congress failed to take advantage of. 

To his credit Rahul Gandhi tried to bridge the gap of this changing reality for his party.  After the 2014 defeat, he fought hard and from the front to register wins in many states, even ousting the BJP from three big states of Rajasthan, Madhya Pradesh and Chhattisgarh.  Infact the BJP which coined the slogan ‘Congress mukt bharat’ soon realised that it is not going to happen.

So, what really is going on now? Leaders, who formed the backbone of the party during the last two decades wrote a letter to the Congress president requesting her to initiate certain changes, which are well known. Meanwhile, why is Rahul Gandhi refusing to return as party president. Are they (the old guard) the reason for his hesitation? Is he waiting for a sign from them that they would own up to previous losses or at least do so in the future? Congress General Secretary Priyanka Gandhi was perhaps more vocal about it when she said that Rahul was left fighting alone while campaigning for the 2019 elections.  If that is so, then why is the old guard not ready to accept this and make amends by supporting him now as he is taking on the BJP government on almost all fronts.

Also, a big change is sweeping across the rank and file of congress party workers. First, they seemed to have swelled considerably in recent times. Secondly, they have begun to come out on the streets - whether it was to help the returning migrants as seen during the start of the pandemic, or to protest the China border issue, unemployment, economic downturn or the farm bills. And they are flooding social media with their action videos. In 2014, Rahul when acknowledging that the BJP had made good use of social media for winning the Lok Sabha elections, had declared that the Congress will also learn to do it and become better than them. 

It is clear that these young workers owe allegiance to Rahul and Priyanka and not to the old guard.  The sooner the G-23, as they are being referred to by the media, wake up to this reality, the faster will be the return of Rahul Gandhi as Congress president. Of course, the party should find a balance to work together with the stalwarts who can be the guiding force both inside and outside parliament..

Otherwise, the letter they wrote will remain a distress message in a bottle for their political survival. 

Friday, December 20, 2019

Line up of Kolkata People's Film Festival (KPFF) 2020


The Kolkata People’s Film Festival (KPFF), organised by the People’s Film Collective (PFC), is a people-supported, independently organised, volunteer-led cinema festival, showcasing politically committed contemporary documentary and fiction cinema from India and Southasia. It brings together filmmakers, cinephiles, students, workers, artists, writers and journalists - a wide cross-section of people to interact on various issues pertaining to contemporary society. 

The seventh edition of KPFF will screen 34 films from India and Southasia.

According to a release this edition of the festival is being held against the backdrop of  issues pertaining to migrants, political dissent, violence against oppressed castes and gender, and assault on public education inn whole of Southasia. It is also a time of unprecedented climate crisis which has  marginalised sections of the population.

website http://www.ourcinema.in
facebook page https://www.facebook.com/KolkataPeoplesFilmFestival/ 

KPFF 2020
23-26 January / 10 a.m. - 9 p.m. daily
Uttam Mancha, Hazra, Kolkata
Entry Free* (*everyone decides how much they want to contribute to run the festival)

Stories from India (Long Documentary)
  1. CORAL WOMAN / Dir: Priya Thuvassery / 52’/ 2019
  2. JANANI’S JULIET/ Dir: Pankaj Rishi Kumar/ 52’/ 2019
  3. MOD BHAANG/ Dir: Renu Savant/ 60’/ 2018
  4. MOTI BAGH/ Dir: Nirmal Chander/ 60’/ 2019
  5. RECASTING SELVES / Dir: Lalit Vachani/ 80’/ 2019
  6. SANGHARSH, TIMES OF STRIFE / Dir: Nicolas Jaoul / 105’/ 2018
  7. SONGS OF OUR SOIL / Dir: Aditi Maddali / 52’/ 2019
  8. STRANGERS / Dir: Laura Kansy, Oskar Zoche / 75’/ 2019
  9. SWIMMING THROUGH THE DARKNESS / Dir: Supriyo Sen / 76’/ 2018
  10. #UNFAIR / Dir: Anoshka Matthews , Paranjoy Guha Thakurta, Mohit Bhalla, Wenceslaus Mendes / 55’ / 2019
Stories from India (Short Documentary)
  1. CHACHAN, A DAY / Dir: J J Abraham / 32’ / 2019
  2. CHAI DARBARI / Dir: Prateek Shekhar / 29’ / 2019
  3. HEIRS OF HALF THE EARTH AND SKY / Dir: Georgy Abraham / 39’ / 2019
  4. JHARIA / Dir: Biju Toppo / 28’ / 2019
  5. MAGICAL FOREST / Dir: Archana Chandrashekar / 34’ / 2019
  6. OUR GODS ARE LIKE THAT / Dir: Sraiyanti Haricharan / 32’ / 2019
  7. PRISON DIARIES / Dir: Uma Chakravarti / 26’ / 2019
  8. THE DAY I BECAME A WOMAN / Dir: Moupia Mukherjee / 35’ / 2019
  9. WANING MOONS / Dir: Nooryaab Nakhat / 28’ / 2019
Stories from South Asia (Documentary)
  1. RISING SILENCE / Dir: Leesa Gazi / 75’/ 2018 (Bangladesh)
  2. SECOND HOME / Dir: Shekh Al Mamun / 26’/ 2019 (Bangladesh, South Korea)
  3. TAKING ON THE STORM / Dir: Matjaz Pinter, Eva Pivac / 82’/ 2019 (Nepal)
New Indian Fiction (Long Fiction)
  1. EEB ALLAY OOO! / Dir: Prateek Vats / 105’/ 2019
  2. SUDANI FROM NIGERIA / Dir: Zakariya / 120’/ 2018
New Indian Fiction (Short Fiction)
  1. A LETTER TO HOME / Dir: Mukul Haloi / 25’ / 2018
  2. BIDUGADE (THE REDEMPTION) / Dir: Naveen Tejaswi / 21’ / 2019
  3. DARROJ / Dir: Varun Sharma / 29’/ 2019
  4. DYING WIND IN HER HAIR / Dir: Shazia Iqbal / 21’ / 2019
  5. MAHAANTAM / Dir: Shridhar Sudhir / 29’ / 2018
  6. NEON / Dir: Sakshi Gulati / 27’/ 2018
  7. NOOREH / Dir: Ashish Pandey / 22’ / 2018
  8. POSHARINI / Dir: Sreecheta Das / 26’ / 2018
  9. WIG / Dir: Atanu Mukherjee / 25’ / 2019
Special Screening and conversation
  1. REASON / Dir: Anand Patwardhan / 218’ / 2018 (Documentary)
Lecture, Presentation, Concert, Exhibition
  1. OPENING KEYNOTE / Speaker: Arundhati Roy
  2. KASHMIR: THE IMAGE AS WITNESS, AND MEMORY / Speaker: Sanjay Kak
  3. 'SINGING YOUR DESPAIR, AND MINE' / Poetry, music and conversation between Aamir Aziz and Moushumi Bhowmik
  4. ART OF OUR TIMES / Collective exhibition of works by several contemporary political artists


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Thursday, December 5, 2019

Screening of Janani's Juliet on 19th Dec (Mumbai)

Janani's Juliet (53 minutes) Will be screened as per program below

19th Dec @ 6pm
Venue- Dr. Bhau Daji Lad Museum, Byculla
(Education Centre)
Followed by Q &A with the director
Entry Free

Director, Camera, Sound Design and Editing - Pankaj Rishi Kumar
Associate Director & Location Sound -- C. Vinayak Ram
Sound Mixing -- Pritam Das
Producer: PSBT
Language: Tamil with English Subtitles

Synopsis:  Kausalya lost her husband (Shankar), when they were attacked by her own family. They had married against their families wishes. Deeply disturbed by a spate of honor killings in India, a Pondicherry based theatre group sets out to introspect the implications of caste, class and gender. They adapt Shakespeare's Romeo and Juliet. What emerges in the process is a critical reflection and commentary of the contemporary Indian society where love struggles to survive.

India's Official entry to the Oscar's
Best Long Documentary Prize at IDSFFK, Trivandrum, India 
Best Film, Signs Film Festival, Thrissur, India
Official Selection Competition, Kolkata International Film Festival & FSA Kathmandu
Official Selection -- Bubhaneswar, Open Frame, Madurai, & Auroville Film Festival

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Tuesday, December 3, 2019

Saacha at the Sudhir Patwardhan Retrospective, NGMA, Mumbai



The film Saacha - The Loom is a part of the 'Walking Through the Soul City — Sudhir Patwardhan: A Retrospective, at the National Gallery of Modern Art, Mumbai, and will run on a loop, everyday, between Nov. 30, 2019 and Feb. 12, 2020
according to a release by Anjali and Jayasankar
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Synopsis of the film
Saacha, 49 mins, 2001
The fabric of the city emerged from the warp and weft of diverse threads, from the labour of migrant communities that made Bombay/Mumbai their own. The cotton mills and the proletariat that worked in them were central to the creation of the city. Through the poetry of Narayan Surve, the paintings of Sudhir Patwardhan, the music of the Shahir Amar Shaikh Cultural Troupe and the filmmakers' images of a precarious yet resilient space, Saacha chronicles the changing life and times of a city that was once the hub of the working class movement in India. Weaving together poetry and paintings with memories of the city, the film explores the politics of representation, the relevance of art in the contemporary social milieu, the dilemmas of the left and the trade union movement and the changing face of a huge metropolis. Saacha, filmed in 2000, when the cotton textile industry was in the final stages of its decline, brings to bear an intimate and perceptive gaze on the lifeworld of the mills and their workers, which has since been totally erased from the history and geography of the city.
An adaptation of Saacha was an installation at the art exhibition 'Project Space: Word. Sound. Power.' at the Tate Modern, London, in 2013; and at Khoj, New Delhi in 2014.
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About the Protagonists of the film
Narayan Surve, one of the most significant Marathi poets, was born in 1926. Found abandoned as a baby on the streets of Mumbai, he was raised by a mill worker. He worked as a child labourer in the textile mills, and did several other jobs in the informal sector, finally becoming a school teacher. He was a Marxist and was active in the trade union movement in Mumbai. His oeuvre includes Aisa Ga Mi Brahma (1962) Majhe Vidyapeeth (1966),Jahirnama (1978), among others. He received several awards and recognitions for his work, including the Padma Shri in 1988. He passed away in 2010.
"Sudhir Patwardhan is a painter of urban life. His images unfold the city he knows so well— Mumbai. His Mumbai is urbs, with its surrounding factories, industrial chimneys, tenements; its back breaking toil, grime, sweat, pain, grit, accidents, crowds and stench. It is life at its rawest. Yet in his paintings its inhabitants retain their character, vitality and dignity. He is passionately concerned with this life and is not just its chronicler. He is its poet as well, who lets the spontaneous experience sink in, to recall it in the tranquility of his studio." Mehra, Gita, in Ranjit Hoskote, Sudhir Patwardhan The Complicit Observer, Sakshi Art Gallery, 2003
#Kochi-Muziris Biennale 2018 Kochi-Muziris Biennale

Anjali Monteiro, Ph.D., Professor,
K.P. Jayasankar, Ph.D., Professor
School of Media and Cultural Studies
Tata Institute of Social Sciences,  Deonar, Mumbai 400 088, India
Phone:+91 22 2552 5661 

3rd South Asian Short Film Festival organised by the Federation of Film Societies of India Eastern Region will be held in March 2020 in Kolkata

3rd South Asian Short Film Festival organised by the Federation of Film Societies of India Eastern Region will be held in March 2020 in Kolkata. Short Fiction (Maximum 40 Minutes) and Documentaries (Maximum 60 Minutes) made after 1st January 2017 are eligible. Rules and regulations are available at http://www.sasff.online/rules-regulations/
Deadline for Submission: 31 December 2019.
Intending participants may submit their entries online at https://filmfreeway.com/sasff2020

Premendra Mazumder
Festival Coordinator
South Asian Short Film Festival

1st Tamil Nadu Independent Film Festival (TNIFF 2020)



The 1st Tamil Nadu Independent Film Festival (TNIFF 2020) will be held from 10th to 19th August, 2020 at Chennai, Tamil Nadu, India. 

Submissions are now open for TNIFF 2020 (www.tniff.com) with the early bird deadline closing on 15th January 2020.

To directly submit, click on the following link;
https://filmfreeway.com/TamilNaduIndependentFilmFestival

While submitting use this special discount code PersonalDec2019 for 20% Discount. This code is valid only till 15th January 2020.

We welcome you film lovers and patrons to raise your voice today by filling this "FILM LOVERS AND PATRONS SURVEY" Click on this link to register your voice https://goo.gl/forms/vdyKQTucEBQQYVV13


Josephine David
Festival Director
Tamil Nadu Independent Film Festival
+91 98409 73445
info@tniff.com
tamilnaduiff@gmail.com
https://tniff.com/

Sunday, April 1, 2018

NWMI SCHOLARSHIP FOR AMBIKA RAJA



Ambika Raja, who has just received the second NWMI Fellowship, has not allowed a debilitating accident that left her wheelchair-bound at a very young age to stand in the way of pursuing Journalism. 
According to a release Ambika's application served as an important reminder of the often-forgotten fact that while social identity is a critical aspect of diversity, there are other disadvantaged groups who need to be kept in mind while promoting better representation of different sections of society in the media as well as other fields of work.


The NWMI fellowship fund is unique in that it is raised through voluntary contributions from network members themselves, who share their own limited resources as an act of solidarity with fellow women journalists.

The fellowship was spontaneously launched last year after a young Adivasi journalist working in a remote, economically backward district of Odisha state, had to use multiple forms of transport (including a boat) to arrive in Hyderabad and attend the national network meeting there in November 2016.  Jayanti was the first recipient of the fellowship and continues to be associated with the network:  at the national network meeting in Chennai in January 2018, when participants heard more about her experiences and struggles, several of them pledged varying amounts of money to enable us to buy her a laptop - and she soon became the proud owner of one.
For more details contact Ammu Joseph at