Thursday, January 14, 2021
India Workplace Equality Index sends the right signal for LGBT+ inclusion
Monday, September 21, 2020
G-23: Message in a bottle
It is one great lesson they seem to have forgotten, the ability of the Gandhi name to draw voters and their connect with the people of India. After the NDA’s term lead by Atal Behari Vajpayee, the Congress held power for a decade. From the turn of the century the world has now moved on to end of the second decade of the 21st Century. The generation which grew up without cell phones or were using the early models of Nokia phones of the late 90s, is now well into middle age. Today’s young generation thrives on social media which they access on sophisticated cell-phones. This has necessitated changes in governance and politics. Ease of outreach available to government departments as well as politicians is the single most important change in the new reality, which perhaps many in the congress failed to take advantage of.
To his credit Rahul Gandhi tried to bridge the gap of this
changing reality for his party. After the
2014 defeat, he fought hard and from the front to register wins in many states,
even ousting the BJP from three big states of Rajasthan, Madhya Pradesh and
Chhattisgarh. Infact the BJP which coined
the slogan ‘Congress mukt bharat’ soon realised that it is not going to happen.
So, what really is going on now? Leaders, who formed the
backbone of the party during the last two decades wrote a letter to the
Congress president requesting her to initiate certain changes, which are well
known. Meanwhile, why is Rahul Gandhi refusing to return as party president.
Are they (the old guard) the reason for his hesitation? Is he waiting for a sign
from them that they would own up to previous losses or at least do so in the
future? Congress General Secretary Priyanka Gandhi was perhaps more vocal about
it when she said that Rahul was left fighting alone while campaigning for the
2019 elections. If that is so, then why is the old guard not ready to accept this and make amends by supporting him now as
he is taking on the BJP government on almost all fronts.
Also, a big change is sweeping across the rank and file of congress party workers. First, they seemed to have swelled considerably in recent times. Secondly, they have begun to come out on the streets - whether it was to help the returning migrants as seen during the start of the pandemic, or to protest the China border issue, unemployment, economic downturn or the farm bills. And
they are flooding social media with their action videos. In 2014, Rahul when
acknowledging that the BJP had made good use of social media for winning the
Lok Sabha elections, had declared that the Congress will also learn to do it
and become better than them.
It is clear that these young
workers owe allegiance to Rahul and Priyanka and not to the old guard. The sooner the G-23, as they are
being referred to by the media, wake up to this reality, the faster will be the
return of Rahul Gandhi as Congress president. Of course, the party should find a
balance to work together with the stalwarts who can be the guiding force both inside and outside parliament..
Otherwise, the letter they wrote will remain a distress message in a
bottle for their political survival.
Friday, December 20, 2019
Line up of Kolkata People's Film Festival (KPFF) 2020
The seventh edition of KPFF will screen 34 films from India and Southasia.
According to a release this edition of the festival is being held against the backdrop of issues pertaining to migrants, political dissent, violence against oppressed castes and gender, and assault on public education inn whole of Southasia. It is also a time of unprecedented climate crisis which has marginalised sections of the population.
website http://www.ourcinema.in
facebook page https://www.facebook.com/
- CORAL WOMAN / Dir: Priya Thuvassery / 52’/ 2019
- JANANI’S JULIET/ Dir: Pankaj Rishi Kumar/ 52’/ 2019
- MOD BHAANG/ Dir: Renu Savant/ 60’/ 2018
- MOTI BAGH/ Dir: Nirmal Chander/ 60’/ 2019
- RECASTING SELVES / Dir: Lalit Vachani/ 80’/ 2019
- SANGHARSH, TIMES OF STRIFE / Dir: Nicolas Jaoul / 105’/ 2018
- SONGS OF OUR SOIL / Dir: Aditi Maddali / 52’/ 2019
- STRANGERS / Dir: Laura Kansy, Oskar Zoche / 75’/ 2019
- SWIMMING THROUGH THE DARKNESS / Dir: Supriyo Sen / 76’/ 2018
- #UNFAIR / Dir: Anoshka Matthews , Paranjoy Guha Thakurta, Mohit Bhalla, Wenceslaus Mendes / 55’ / 2019
- CHACHAN, A DAY / Dir: J J Abraham / 32’ / 2019
- CHAI DARBARI / Dir: Prateek Shekhar / 29’ / 2019
- HEIRS OF HALF THE EARTH AND SKY / Dir: Georgy Abraham / 39’ / 2019
- JHARIA / Dir: Biju Toppo / 28’ / 2019
- MAGICAL FOREST / Dir: Archana Chandrashekar / 34’ / 2019
- OUR GODS ARE LIKE THAT / Dir: Sraiyanti Haricharan / 32’ / 2019
- PRISON DIARIES / Dir: Uma Chakravarti / 26’ / 2019
- THE DAY I BECAME A WOMAN / Dir: Moupia Mukherjee / 35’ / 2019
- WANING MOONS / Dir: Nooryaab Nakhat / 28’ / 2019
- RISING SILENCE / Dir: Leesa Gazi / 75’/ 2018 (Bangladesh)
- SECOND HOME / Dir: Shekh Al Mamun / 26’/ 2019 (Bangladesh, South Korea)
- TAKING ON THE STORM / Dir: Matjaz Pinter, Eva Pivac / 82’/ 2019 (Nepal)
- EEB ALLAY OOO! / Dir: Prateek Vats / 105’/ 2019
- SUDANI FROM NIGERIA / Dir: Zakariya / 120’/ 2018
- A LETTER TO HOME / Dir: Mukul Haloi / 25’ / 2018
- BIDUGADE (THE REDEMPTION) / Dir: Naveen Tejaswi / 21’ / 2019
- DARROJ / Dir: Varun Sharma / 29’/ 2019
- DYING WIND IN HER HAIR / Dir: Shazia Iqbal / 21’ / 2019
- MAHAANTAM / Dir: Shridhar Sudhir / 29’ / 2018
- NEON / Dir: Sakshi Gulati / 27’/ 2018
- NOOREH / Dir: Ashish Pandey / 22’ / 2018
- POSHARINI / Dir: Sreecheta Das / 26’ / 2018
- WIG / Dir: Atanu Mukherjee / 25’ / 2019
- REASON / Dir: Anand Patwardhan / 218’ / 2018 (Documentary)
- OPENING KEYNOTE / Speaker: Arundhati Roy
- KASHMIR: THE IMAGE AS WITNESS, AND MEMORY / Speaker: Sanjay Kak
- 'SINGING YOUR DESPAIR, AND MINE' / Poetry, music and conversation between Aamir Aziz and Moushumi Bhowmik
- ART OF OUR TIMES / Collective exhibition of works by several contemporary political artists
Thursday, December 5, 2019
Screening of Janani's Juliet on 19th Dec (Mumbai)
Entry Free
Tuesday, December 3, 2019
Saacha at the Sudhir Patwardhan Retrospective, NGMA, Mumbai
Synopsis of the film
Saacha, 49 mins, 2001
The fabric of the city emerged from the warp and weft of diverse threads, from the labour of migrant communities that made Bombay/Mumbai their own. The cotton mills and the proletariat that worked in them were central to the creation of the city. Through the poetry of Narayan Surve, the paintings of Sudhir Patwardhan, the music of the Shahir Amar Shaikh Cultural Troupe and the filmmakers' images of a precarious yet resilient space, Saacha chronicles the changing life and times of a city that was once the hub of the working class movement in India. Weaving together poetry and paintings with memories of the city, the film explores the politics of representation, the relevance of art in the contemporary social milieu, the dilemmas of the left and the trade union movement and the changing face of a huge metropolis. Saacha, filmed in 2000, when the cotton textile industry was in the final stages of its decline, brings to bear an intimate and perceptive gaze on the lifeworld of the mills and their workers, which has since been totally erased from the history and geography of the city.
An adaptation of Saacha was an installation at the art exhibition 'Project Space: Word. Sound. Power.' at the Tate Modern, London, in 2013; and at Khoj, New Delhi in 2014.
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About the Protagonists of the film
Narayan Surve, one of the most significant Marathi poets, was born in 1926. Found abandoned as a baby on the streets of Mumbai, he was raised by a mill worker. He worked as a child labourer in the textile mills, and did several other jobs in the informal sector, finally becoming a school teacher. He was a Marxist and was active in the trade union movement in Mumbai. His oeuvre includes Aisa Ga Mi Brahma (1962) Majhe Vidyapeeth (1966),Jahirnama (1978), among others. He received several awards and recognitions for his work, including the Padma Shri in 1988. He passed away in 2010.
"Sudhir Patwardhan is a painter of urban life. His images unfold the city he knows so well— Mumbai. His Mumbai is urbs, with its surrounding factories, industrial chimneys, tenements; its back breaking toil, grime, sweat, pain, grit, accidents, crowds and stench. It is life at its rawest. Yet in his paintings its inhabitants retain their character, vitality and dignity. He is passionately concerned with this life and is not just its chronicler. He is its poet as well, who lets the spontaneous experience sink in, to recall it in the tranquility of his studio." Mehra, Gita, in Ranjit Hoskote, Sudhir Patwardhan The Complicit Observer, Sakshi Art Gallery, 2003
#Kochi-Muziris Biennale 2018 Kochi-Muziris Biennale
K.P. Jayasankar, Ph.D., Professor
School of Media and Cultural Studies
Tata Institute of Social Sciences, Deonar, Mumbai 400 088, India
Phone:+91 22 2552 5661
3rd South Asian Short Film Festival organised by the Federation of Film Societies of India Eastern Region will be held in March 2020 in Kolkata
1st Tamil Nadu Independent Film Festival (TNIFF 2020)
The 1st Tamil Nadu Independent Film Festival (TNIFF 2020) will be held from 10th to 19th August, 2020 at Chennai, Tamil Nadu, India.
Submissions are now open for TNIFF 2020 (www.tniff.com) with the early bird deadline closing on 15th January 2020.
To directly submit, click on the following link;
https://filmfreeway.com/
While submitting use this special discount code PersonalDec2019 for 20% Discount. This code is valid only till 15th January 2020.
We welcome you film lovers and patrons to raise your voice today by filling this "FILM LOVERS AND PATRONS SURVEY" Click on this link to register your voice https://goo.gl/forms/
Josephine David
Festival Director
Tamil Nadu Independent Film Festival
+91 98409 73445
info@tniff.com
tamilnaduiff@gmail.com
https://tniff.com/


